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![jahsonic:
Torse[1][2] (1935) is the title of a William Mortensen photograph. Wikimedia Commons has the photo erroneously listed as a Rudolf Koppitz photo. The photo is used on the cover of Monsters and Madonnas[3].
See also
Eros and Modernism
Modernist nude
Nude photography
Pictorialism
Torso
Via billyjane](http://25.media.tumblr.com/tumblr_kxscyoK7SV1qztk1wo1_500.jpg)
Torse[1][2] (1935) is the title of a William Mortensen photograph. Wikimedia Commons has the photo erroneously listed as a Rudolf Koppitz photo. The photo is used on the cover of Monsters and Madonnas[3].
See also
Via billyjane
Jan062012 -

L’Amour ~ William Mortensen,
“SEX is of course the subject interest, which is here given additional morbid pungency by the sadistic implications of the theme.” — MortensenMar142011 -

Preparation for the Sabbot ~ William Mortensen,
“Herein lies the reason for the equivocal effect of grotesque art on many people: the material is unfamiliar, and, by ordinary standards, unpleasant: yet it calls forth a deep instinctive response. Thus they are torn between repulsion and attraction…” -- Mortensen viaMar142011 -

The Heretic ~ William Mortensen,
“If the inquisitors still failed to find the evidence they sought or to extract a confession, she was subjected to the additional persuasion of torture. After being given certain preliminary tortures, she was strung up and given the final opportunity to confess and recant. This is the moment represented in The Heretic.” --Mortensen viaMar142011 -
Mar142011
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The Priestess ~ William Mortensen,
“the theme is WONDER — the cruel, absolute inscrutable mystery of the LAW. The implications of the theme are borne out by the ponderous pyramidal form of the Impact.” -- Mortensen viaMar122011
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